Review: Soak
Tracing the reunion of a high schooler and her estranged mother over one night, Hannah Bang’s taut short seeps under the skin with its ambiguous approach to narrative and moral responsibility.
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Japan Cuts 2023 Review: Amiko
Japanese filmmaker Yusuke Morii shows immense promise with their gorgeous debuting coming-of-age feature Amiko.
SFF 2022 Review: Singing in the Wilderness
Dongnan Chen's documentary Singing in the Wilderness reveals the cultural crisis facing a Miao community and their world famous choir.
Dreamscapes 2021 Review: Day of Destruction & Wolf's Calling
As part of Toshiaki Toyoda's Wolf Mountain trilogy, we look at his short film Wolf's Calling and feature length picture, Day of Destruction.
Review: Soak
Tracing the reunion of a high schooler and her estranged mother over one night, Hannah Bang’s taut short seeps under the skin with its ambiguous approach to narrative and moral responsibility.
Review: I’m Fine (Thanks for Asking)
Unafraid to wear its influences and commentary on its sleeve, Kelley Kali and Angelique Molina’s film is more than fine in its uplifting tale of homelessness in COVID times (yes, really).
MIFF 2020 Review: Hong Kong Moments
Zhou Bing covers the ongoing Hong Kong protests that began in 2019 from multiple angles in new documentary, Hong Kong Moments.
Melbourne International Film Festival 2020 Shorts Round-Up: International
In this year’s heavy-hitting International Shorts line-up, three women-centric films stand out, exploring separate facets of female isolation.
Taiwan Film Festival 2020 Review: Detention
Despite its glaring issues, John Hsu's horror blockbuster Detention is the rare video game-to-movie adaptation that works.
Sydney Film Festival 2020 Shorts Round-Up: Live-Action —
Her Own Music’, ‘Mukbang’, and ‘Idol’ tell their stories of adolescence and social media madness sensitively – and quickly.
Review: ‘A Hundred Years of Happiness’ is a Marriage of Unfulfilled Potential and Slow Storytelling —
Jakeb Anhvu’s observational documentary can feel more like an exercise in aesthetics than the fascinating cultural study it promises.
Review: Diner
Mika Ninagawa's opulent visuals aren't enough to save her manga adaptation, Diner, from its thin plot and poor action direction
Review: Nina Wu
Midi Z's timely contribution to the #MeToo movement, Nina Wu, is anchored by a powerful performance from actress and co-writer Wu Ke-xi.
Review: Clean Up
Kwon Man-ki's impressive debut feature Clean Up is a crime drama that grapples with complex themes of morality and guilt.
Review: The Third Wife
A child bride navigates her newfound womanhood in this sensitively directed drama.
Review: One Child Nation
With One Child Nation, co-directors Jialing Zhang and Nanfu Wang have crafted an incredible documentary that closely examines China's one child policy.
Review: Parasite
Bong Joon-ho's award-winning film Parasite is a welcome return to South Korean filmmaking for the director and is one of his absolute best works to date.
KOFFIA 2018 Review: Microhabitat
Female-driven indie drama Microhabitat is a socially conscious feature about a young woman's struggle to keep up in modern-day Korea
SFF 2018 Review: Shoplifters
Japanese master Hirokazu Koreeda returns to the family drama in top form with the heartfelt Palme d'Or award-winning film, Shoplifters.
SFF 2018 Review: Burning
Lee Chang-dong has returned after an eight year absence with new film and Cannes 2018 favourite, Burning, an adaptation of a Haruki Murakami short story.
SFF 2018 Review: An Elephant Sitting Still
An Elephant Sitting Still is a mystifying four hour Chinese feature and a stunning debut despite the tragedy surrounding its filmmaker, Hu Bo.
TJFF 2018 Review: Hanagatami
Celebrated Japanese filmmaker Nobuhiko Obayashi does not miss a step in his new and 'timeless' anti-war film, Hanagatami.
Review: Psychokinesis
Psychokinesis is Yeon Sang-ho's follow up to the massively successful Train to Busan and puts a different spin on the superhero genre.
MQFF 2018 Review: Maybe Tomorrow
Best friends Jess and Alex find love in each other in Maybe Tomorrow, the lesbian coming-of-age drama by debut filmmmaker Samantha Lee.
Review: The Tokyo Night Sky is Always the Densest Shade of Blue
In a city of ten million, it can be easy to be just part of the crowd. We look at Yuya Ishii's The Tokyo Night Sky is Always the Densest Shade of Blue.
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